New Local Music Videos

We’ve spotted two brand new videos from local acts this week, so we thought we’d share them with you here.

First we have what we believe is the first ever video from Sand Rabbit.

The song is called ‘In The Corners’ and it comes from their album ‘The Panther Blade’, which was released in 2013.

As a friend of Pierless Music, Stu Huggett, said about the video, “Skating and drinking feature. It’s a Hastings thing”

Sand Rabbit: In The Corners, Official Video from Sand Rabbit on Vimeo.

Secondly, we have a new video from Claire Hamill. The song is called ‘Trees’, which originally featured on her 1988 abum ‘Love in the Afternoon’, although this is a reworking of that song.

The video can only be described as ‘kaleidoscopic’.

As always, if you see any new local music videos that we may have missed, please let us know.

Six Great Hastings Pier Music Videos

With the welcome news that Hastings Pier has passed its £500,000 funding target this week, we take a look at six of the best music videos that feature the old structure. There’s still time to buy shares in the rebuild too, with the cut-off point being midnight this Saturday 5th April. Visit to make your investment.

1. Dollar – ‘Oh L’Amour’ (1987)

An unlikely comeback and final Top 10 hit for 80s hitmakers Dollar, ‘Oh L’Amour’ was a cover of an early flop single by Erasure. Professional irritant David Van Day is better known as a love-to-hate TV personality these days, eclipsing the often wonderful pop he and former partner Thereza Bazar once made. We’re not sure how much influence this video had on Erasure singer Andy Bell’s own move to Hastings.

2. Kingmaker – ‘Queen Jane’ (1993)

Kingston upon Hull trio Kingmaker had a string of hits in the early 90s, falling out of favour with the public just as Britpop took hold. Taken from second album ‘Sleepwalking’, their Top 30 single ‘Queen Jane’ finds singer Loz Hardy rocking the Richard Hawley look a decade early. Hardy later turned up lending a hand on Elastica’s oddball album ‘The Menace’, while Kingmaker reformed without him in 2010.

3. Squeeze – ‘This Summer’ (1995)

Recent subjects of a BBC4 documentary, Squeeze can still pull a devoted audience live, although the cheery ‘This Summer’ turned out to be their final hit single. ‘This Summer’ packs two none-more-90s moments in one, with comic actor John Thomson (then enjoying fame in ‘The Fast Show’) in the video, and a timely cover of Blur’s ‘End Of A Century’ on the b-side. Despite many bust-ups, Chris Difford and Glenn Tilbrook have managed to get Squeeze back on the road again.

4. Pullover – ‘Holiday’ (1996)

All but forgotten today, Pullover were huge fun live, as anyone who caught them playing The Crypt in its Britpop heyday may recall. They had three 7”s out on Britain’s indiest indie label Fierce Panda, before signing a bigger deal and reissuing the third, ‘Holiday’, with this video. It got on ‘The Chart Show’, but wasn’t a hit, and the band split a while after. Singer Carol Isherwood is now a music lawyer.

5. The Seahorses – ‘Love Is The Law’ (1997)

Having quit The Stone Roses after their disappointing comeback album ‘Second Coming’, guitar hero John Squire licked his wounds before returning to capitalise on Oasis’ success with the more trad rock of The Seahorses. Fronted by singer Chris Helme, ‘Love Is The Law’ was The Seahorses’ first and biggest hit, but the band weren’t built to last. Helme’s still recording and performing, while you probably caught wind of The Stone Roses’ reunion the other year.

6. Ash – ‘Tracers’ (2009)

Punk-pop titans Ash have a long association with Hastings, playing their first gig outside of Northern Ireland at The Crypt in 1994 and returning to the venue many times, including for their Glastonbury Festival warm-up in 1997 (the year they ended up as late replacement Pyramid Stage headliners when Steve Winwood dropped out). Never short of tunes or fans, they also packed out St Mary In The Castle in 2000. ‘Tracer’ was one of an ambitious series of 26 7” singles (the ‘A – Z Series’) the band released from 2009-2010, a period which saw them playing The Crypt one last time. Hastings Pier had closed down when they shot this video, just a year before it caught fire, making this perhaps the final appearance of the original structure in a pop video.

Stuart Huggett

Keane at The Forum

Regular contributor to the Pierless Music site, Stuart Huggett, recently had the chance to see Keane in the intimate surroundings of The Forum in Tunbridge Wells. Lucky man.

This is his review of that up close and personal gig.

Keane – Tunbridge Wells Forum, October 25th 2013:

Keane are helping celebrate several anniversaries at tonight’s back-to-basics gig, an intimate affair in Tunbridge Wells’ famed Forum. The Battle band mark 10 years of huge international success with a ‘Best Of’ album next month, and this show is an early present for their original home Fierce Panda Records, soon to reach 20 years of talent spotting. The Forum also turned 20 this year, one of the country’s great toilet circuit survivors.

For me, it’s also an anniversary show. It’s been 13 years to the month since I first saw Keane live, supporting Northern Soul-loving indiepop group Spearmint at the Crypt. This was the early years of Keane, then a struggling four-piece band (guitarist Dominic Scott would quit a year later) yet to settle on the piano-led sound that would make their name.

Aside from Tom Chaplin’s patient frustration with their billing – the Crypt was publicising them variously as both ‘Kean’ and ‘Keen’ – all I really remember of their set that evening was the would-be epic edge that differentiated them from the usual post-grunge supports we were used to seeing. Credit to the anonymous writer for The Fly magazine, though, who reviewed the show and noted that, “Once again the Crypt has delivered a band that could make it in the current market.” Despite many opportunities, I’ve not caught Keane live since, until tonight.

There were reports in the press earlier this week that the band were ready to announce their split, a story already rubbished by Chaplin. Certainly Keane are in extremely high spirits tonight, enjoying the chance to tease each other on the smaller stage, joking with the crowd and reminiscing about the time they got bumped off the bill at the Forum by the almost-forgotten Stellastarr. If they’re ready to take a break, they’re leaving in a fine mood.

Photo taken of the crowd at the Forum by Keane’s drummer Richard Hughes

Pleasingly for this nostalgia trip, the set leans heavily on Keane’s mega-selling debut ‘Hopes And Fears’. The addition of bassist Jesse Quin means you’d have to squint pretty hard to pretend this was a three-piece Keane gig from back in the day, and Chaplin himself is a much more lean and confident figure than he once was, but by restricting Tim Rice-Oxley to just the one keyboard the sound is as clean and clear as during their breakthrough era. Even the treated synth squall of ‘Is It Any Wonder?’ is stripped down to its piano essentials.

Old songs are resurrected, unplayed b-sides are unearthed and even the two new songs from the ‘Best Of’ (‘Watch How You Go’ and ‘Higher Than The Sun’) are met with singalongs. Some of the most devoted fans apparently started queueing at 2am this morning so they keep Keane onstage as long as the venue’s able.

10 million sales and counting, this is a jubilant celebration of local boys done good. From the Weald to the world. See you in another 13 years for the comeback.

Stuart Huggett

Setlist: Bend And Break / Black Burning Heart / Everybody’s Changing / Myth / Silenced By The Night / Watch How You Go / This Is The Last Time / Is It Any Wonder? / Sea Fog / Won’t Be Broken / Somewhere Only We Know / Sovereign Light Café / Bedshaped.
Encore: Snowed Under / Higher Than The Sun / Crystal Ball.

Keane website:

Stuart Huggett:

Love Fingers Interview

Stuart Huggett has recently inteviewed those quirky females from St Leonards, ‘Love Fingers’.

Here’s how he describes them: “Love Fingers are probably the oddest group to come out of St Leonards this year. Formed by four young local artists, going by the names of Vixon, Rogue, Bad M and Phat Al, Love Fingers combine loosely recorded songs with simply shot, imaginative videos, sharing them on YouTube. They’ve yet to play live, but have amassed a passionate online following.”

It that has whetted your appetite, read on here:

We’ve even embedded some of their videos into the interview as well. So, you can see for yourself what all the fuss is about.

‘Lost Songs and Monkey Bikes’ by Deano Adams – Album Review

Deano Adams is probably best known for fronting local bands such as Rumiko Jr/Donkey Kong Jr and Sand Rabbit. But, now he’s finally got around to releasing an album of solo material that he recorded back in 2008.

The album is called ‘Lost Songs and Monkey Bikes’ and has been reviewed for Pierless Music by well known Hastings boy Stuart Huggett.

Here is Stu’s review:

We hope to bring you a photo of the cover art shortly.

If you want to submit of your own, please contact us at Pierless Music.